Unlike most of you who enjoyed the long weekend, I had to attend some official activites connected to the occassion. Not that I'm complaining because I like attending these activities which commemorate the declaration of Philippine independence. For the eve of Independence Day, I was invited by the Secretary of Tourism to watch Hinabing Gunita, the Independence Day presentation at the Cultural Center of the Philippines.
The CCP Main Theater is indeed a sight to behold especially in the evenings with the fountains turned on. A creation of National Artist for Architecture Leandro Locsin, the CCP Complex was the envy of our neighbors when in was newly-constructed. They don't make government buildings like those in the Philippines nowadays, grandiose, elegant and tastefully done. Today, the DPWH and other government agencies charged with construction churn out the ugliest buildings in the world! Four walls and a roof and the rest goes to someone's pockets! Sigh! When will this country start thinking big again?
The invitation called for formal Filipiniana attire. Which is why I was so disappointed when I saw a large number of the audience came in semi-formal attire fit for an ordinary day in the office, many even in crew neck t-shirts and maong. Earth to whoever you guys are, you are attending an Independence Day program! Isn't it obvious that the occasion calls for all of us to don our native costumes and be proud of wearing Filipino formal wear just this once?! And we were in the Cultural Center of the Philippines for crying out loud! Plus there were members of the Diplomatic Corps and other important people in attendance. Moreover, it was a gala performance and yet there was a sizeable number of people in clothes fit for the shopping mall or a movie house. Duh!
My companion for the evening was our president at the HCS, Gemma Cruz-Araneta. The performances were excellent! But as Gemma noted, the script lacked something, the very essence of the celebrations. That's why in her Manila Bulletin column, Gemma questions this missing element in her piece entitled Woven Amnesia, a play of the English translation of the title Woven Memories since the scriptwriter forgot to present the declaration of independence, the First Philippine Republic and the events of 1898 in the fabric of history symbolically featured.
Today was spent in San Fernando to attend the local Independence Day celebrations. I had wanted to attend the reenactment of the 1899 Independence Day celebrations, the first and last Independence Day under the first republic which was held in front of the Pamintuan House in Angeles. But the 7 a.m, calltime was just too early for me and I was still exhausted. Anyway, in San Fernando, our guest of honor and speaker was none other than Gemma who as expected arrived in an exquisite maria clara. Filipinos should really learn to dress for the occasion no matter if the sun is scorching hot.
A large parade was arranged by the DepEd with students from each of the 35 barangays of San Fernando presenting tableaus of various historical national and local events on floats. Although I noticed there was a lack of marching bands since the parade was so long and in between bands, there was no music so it looked like a processesion. Hehe! At the Bren Guiao Convention Center, there were thousands of students assembled for the celebrations, watching the parade as it entered the grandstand.
The loudest cheers were however given to the vehicle carrying Mikee Lee, first runner-up of the Pinoy Big Brother Teen Edition, who is from San Fernando. Imagine, it was only then that I found out that Mikee was a Cabral from Sta. Lucia, his uncle a former city councilor of San Fernando. His kuya, Peter, was a batchmate at the Ateneo High School and I was telling him that if they highlighted his being a native of San Fernando, the Kapampangans would have given him a solid vote. Hehe! From the cheers, screams, shouts and shrieks of the high school students in the jampacked convention center, I realized the power of television and how one show can change your life overnight. As Peter told me, Mikee was still learning the ropes of stardom and was not used to the adoration. I'm sure!
After the program, we had lunch at the new city hall site. The aircon was a welcome respite to the scorching heat outside. For the afternoon, Gemma and I went to nearby Guagua and Lubao to check out the municipios for possible inclusion in the calendar.
Along the way, we passed by several heritage buildings including the Lopez House in Guagua which were very well-maintained. Gemma was not that satisfied with both municipios. Although they were quite intact, they looked ordinary architecturally speaking.
In Lubao, we passed by the oldest town church in the province. The retablo was impressive! But sad to say, some priest white-washed the trompe l'oeil murals that once adorned the ceiling. We had wanted to meet with Mayor Dennis Pineda to try to convince him to restore the said murals but he was still incomunicado since the bomb explosion in front of his home. Oh well! Maybe next time when things are a little better. The restoration of those murals would be a very worthwhile project.
Monday, June 12, 2006
Saturday, June 10, 2006
Bulacan: Unplanned roadtrip in Bulacan
It’s been quite a while since I’ve been on a road trip. And today’s itinerary was a spur of the moment decision. Since we needed more photos for the 2007 HCS calendar which would feature capitols, city halls and municipios; and since Gemma said Baliuag has a historical one, I decided to make a detour into northeastern Bulacan on the way back to Manila from Pampanga.
I exited in Pulilan and passed by the town proper (the church is right along the national highway). There were several charming bahay na bato and chalets along the way. Maybe next year I’ll try to watch the Carabao Festival from May 14 to 15, again held in honor of San Isidro Labrador. This festival is also held in San Isidro, Nueva Ecija and Angono, Rizal.
From Pulilan, I was off to Baliuag to take a photo of their old municipio which is now a museum. I like the way Baliuag is planned, with a glorieta in the middle of town. The church and convento are well-preserved. In front of the church is a grand monument to Dr. Jose Rizal complete with a pair of sphinxes on either side which is so art deco.
The old municipio is a few meters away along the road to San Miguel. After taking some snapshots, and since I felt like exploring some more, I decided to visit San Miguel de Mayumu since the municipio there was also built during the Spanish colonial period. It however wasn’t the main attraction of the town.
I’ve been there several years back and the elegant colonial homes were just splendid! But I was surprised to find many of them in a state of decay, including the three-storey Victorian Cake House which is always featured in coffee table books on Philippine architectural heritage.
There is a twist to the third floor since this was rare in the bahay na bato. According to the story, "a macho farmer married the landowner's daughter. To out-do his father-in-law, the farmer built the tallest house in the area: so that the father, on passing the threshhold, had to look up to his son-in-law! The third level had a massive ballroom where the elite would throw balls as entertainment between sugar crops."
San Miguel is one of the few well-preserved towns which have yet to be declared by the National Historical Institute. Yes, the NHI board has yet to declare San Miguel, Bulacan and many other heritage towns! And while these historians sit down and take their time, many centuries-old homes are going down, taken for granted by the very institution mandated to protect them.
How sad it was to see a well-preserved heritage town in such a sorry state. I wonder why the Provincial Government of Bulacan, which I have known to be a staunch advocate of culture and the arts, is allowing these houses to decay and remain in such a state of neglect given that San Miguel’s ancestral homes are among the showcases of the province?
On the way back, I took a photo of the Ilusorio House in San Ildefonso which was along the highway. Aside from its outstanding architectural features, the house stands as a poignant reminder of the horrors of the Second World War where women from an entire barangay (Mapanique, Candaba) were locked and raped repeatedly by their Japanese captors. These wives, mothers and daughters, collectively known as the Malaya Lolas, had lost their husbands, fathers and sons who were tortured and massacred by the Japanese Imperial Army. Sigh!
It was also suggested that I pass by San Rafael to check out the old houses. There were some nice ones but not as much as San Miguel. Since I was in San Rafael, might as well visit the church in Angat which was featured in the book of Fathers Javellana and Galende, Great Churches of the Philippines.
The exterior was charming! But the interior was just shocking, an excessive use of gold leaf! Just to make things clear, what was done inside the Angat Church was a renovation and not a restoration. For it to be a restoration, it must approximate the original interior of the church.
The new ceiling murals were just too loud and modern for the old colonial charm of this church. As I told a friend (the one who did the interior was also a friend), you don’t put opulence when it was previously not there. In fact, the elegance of the Angat Church was in its simplicity, now erased by a rampage of gold leaf.
One must not impose his style on an old church. That goes for priests, parish pastoral councils and the architects and interior designers they hire to renovate them, who most of the time go overboard with decorations and details. We must leave old churches as they are because these are testaments to the craftsmen and artisans who designed them.
Additions should not overpower the original design. I wonder how these architects and interior designers would feel if a hundred years from now, their works would be eradicated by future architects and interior designers who like them impose their style on previous masterpieces.
Anyway, enough said. From Angat, it was off to Manila. I took the longer, more scenic route via Norzagaray. The foothills of the Sierra Madre offered a relaxing view. But there were eyesores as well, quarrying plants and their towering machinery. Sigh! The drive was quite long thanks to the slow traffic as I neared Metro Manila. It would take me to San Jose del Monte City, North Caloocan and finally, Fairview where traffic management was horrible! Mayor Belmonte should fire his traffic enforcers and ban undisciplined jeepney drivers. Hmmmm... there wouldn't be any jeeps left then! Hehe! I had driven a total of seven hours! And now it's time for me to rest.
I exited in Pulilan and passed by the town proper (the church is right along the national highway). There were several charming bahay na bato and chalets along the way. Maybe next year I’ll try to watch the Carabao Festival from May 14 to 15, again held in honor of San Isidro Labrador. This festival is also held in San Isidro, Nueva Ecija and Angono, Rizal.
From Pulilan, I was off to Baliuag to take a photo of their old municipio which is now a museum. I like the way Baliuag is planned, with a glorieta in the middle of town. The church and convento are well-preserved. In front of the church is a grand monument to Dr. Jose Rizal complete with a pair of sphinxes on either side which is so art deco.
The old municipio is a few meters away along the road to San Miguel. After taking some snapshots, and since I felt like exploring some more, I decided to visit San Miguel de Mayumu since the municipio there was also built during the Spanish colonial period. It however wasn’t the main attraction of the town.
I’ve been there several years back and the elegant colonial homes were just splendid! But I was surprised to find many of them in a state of decay, including the three-storey Victorian Cake House which is always featured in coffee table books on Philippine architectural heritage.
There is a twist to the third floor since this was rare in the bahay na bato. According to the story, "a macho farmer married the landowner's daughter. To out-do his father-in-law, the farmer built the tallest house in the area: so that the father, on passing the threshhold, had to look up to his son-in-law! The third level had a massive ballroom where the elite would throw balls as entertainment between sugar crops."
San Miguel is one of the few well-preserved towns which have yet to be declared by the National Historical Institute. Yes, the NHI board has yet to declare San Miguel, Bulacan and many other heritage towns! And while these historians sit down and take their time, many centuries-old homes are going down, taken for granted by the very institution mandated to protect them.
How sad it was to see a well-preserved heritage town in such a sorry state. I wonder why the Provincial Government of Bulacan, which I have known to be a staunch advocate of culture and the arts, is allowing these houses to decay and remain in such a state of neglect given that San Miguel’s ancestral homes are among the showcases of the province?
On the way back, I took a photo of the Ilusorio House in San Ildefonso which was along the highway. Aside from its outstanding architectural features, the house stands as a poignant reminder of the horrors of the Second World War where women from an entire barangay (Mapanique, Candaba) were locked and raped repeatedly by their Japanese captors. These wives, mothers and daughters, collectively known as the Malaya Lolas, had lost their husbands, fathers and sons who were tortured and massacred by the Japanese Imperial Army. Sigh!
It was also suggested that I pass by San Rafael to check out the old houses. There were some nice ones but not as much as San Miguel. Since I was in San Rafael, might as well visit the church in Angat which was featured in the book of Fathers Javellana and Galende, Great Churches of the Philippines.
The exterior was charming! But the interior was just shocking, an excessive use of gold leaf! Just to make things clear, what was done inside the Angat Church was a renovation and not a restoration. For it to be a restoration, it must approximate the original interior of the church.
The new ceiling murals were just too loud and modern for the old colonial charm of this church. As I told a friend (the one who did the interior was also a friend), you don’t put opulence when it was previously not there. In fact, the elegance of the Angat Church was in its simplicity, now erased by a rampage of gold leaf.
One must not impose his style on an old church. That goes for priests, parish pastoral councils and the architects and interior designers they hire to renovate them, who most of the time go overboard with decorations and details. We must leave old churches as they are because these are testaments to the craftsmen and artisans who designed them.
Additions should not overpower the original design. I wonder how these architects and interior designers would feel if a hundred years from now, their works would be eradicated by future architects and interior designers who like them impose their style on previous masterpieces.
Anyway, enough said. From Angat, it was off to Manila. I took the longer, more scenic route via Norzagaray. The foothills of the Sierra Madre offered a relaxing view. But there were eyesores as well, quarrying plants and their towering machinery. Sigh! The drive was quite long thanks to the slow traffic as I neared Metro Manila. It would take me to San Jose del Monte City, North Caloocan and finally, Fairview where traffic management was horrible! Mayor Belmonte should fire his traffic enforcers and ban undisciplined jeepney drivers. Hmmmm... there wouldn't be any jeeps left then! Hehe! I had driven a total of seven hours! And now it's time for me to rest.
Saturday, June 03, 2006
Manila: National Artist Pablo Antonio’s work to be demolished
What are people doing to Manila's heritage? It seems the uglification of Manila is moving forward at such an alarming rate. The sad part is our utter disregard for the works of people we call National Artists. Why do we give out the award in the first place if we don't even care whether their works are preserved for future generations of Filipinos to appreciate?
I got this from Richard Tuason Bautista of the Heritage Conservation Society, "This morning (3 June 2006) during our taping and inspection of the ongoing demolition of the Avenue Theater and Hotel, we learned from the EVJ Demolition Team, with representation of their general manager Mr. Esteban Toting, that the Galaxy Theatre is next to face the demolition crew.
"Galaxy theatre is a work of National Artist for Architecture Pablo Antonio. It may not be too late to save this one. But how to save it, an uproar from the public is needed."
We should not sit down and simply watch while what's left of the Pearl of the Orient and its capital city, goes down one by one! To the National Commission for Culture and the Arts (NCCA), National Historical Institute (NHI) and the Cultural Center of the Philippines (CCP), it's about time you guys take a stand and protect the works of our National Artists! And to all of us ordinary citizens, let's write Mayor Atienza and tell him to stop giving out demolition permits for Manila's architectural heritage!
In fact, the NCCA lists the Galaxy Theater as one of Antonio's major works! Again, for those who would like to save this heritage structure, you can call or fax a complaint to Mayor Lito Atienza at 5276063 or 5274991 or send an e-mail at mayor_atienza@cityofmanila.com.ph.
Check out Ellen Tordesillas' blog for more comments about Atienza's latest rampage.
Related articles
Cinema designed by National Artist faces demolition
I got this from Richard Tuason Bautista of the Heritage Conservation Society, "This morning (3 June 2006) during our taping and inspection of the ongoing demolition of the Avenue Theater and Hotel, we learned from the EVJ Demolition Team, with representation of their general manager Mr. Esteban Toting, that the Galaxy Theatre is next to face the demolition crew.
"Galaxy theatre is a work of National Artist for Architecture Pablo Antonio. It may not be too late to save this one. But how to save it, an uproar from the public is needed."
We should not sit down and simply watch while what's left of the Pearl of the Orient and its capital city, goes down one by one! To the National Commission for Culture and the Arts (NCCA), National Historical Institute (NHI) and the Cultural Center of the Philippines (CCP), it's about time you guys take a stand and protect the works of our National Artists! And to all of us ordinary citizens, let's write Mayor Atienza and tell him to stop giving out demolition permits for Manila's architectural heritage!
In fact, the NCCA lists the Galaxy Theater as one of Antonio's major works! Again, for those who would like to save this heritage structure, you can call or fax a complaint to Mayor Lito Atienza at 5276063 or 5274991 or send an e-mail at mayor_atienza@cityofmanila.com.ph.
Check out Ellen Tordesillas' blog for more comments about Atienza's latest rampage.
Related articles
Cinema designed by National Artist faces demolition
Thursday, June 01, 2006
Manila: Save Manila from Mayor Atienza!
This is the third entry with the word save in such a short span of time. The ignorance of our local government officials, moreso in the nation's capital city, is getting to be really depressing. It seems Mayor Lito Atienza is living up to his name as Manila's heritage destroyer. In the PDI article Arroyo orders rehabilitation of endangered buildings (May 31, 2006), Atienza calls for the demolition of the Luneta Hotel Historical Landmark! It is difficult to fathom how a mayor would even consider doing such.
The article says, "However, the mayor called on the DPWH and the owners of abandoned private buildings to demolish the structures because these posed a danger to the public.
"He cited the Veteran's Bank Building in the Port Area, the Royal Hotel on Carlos Palanca Street and the Luneta Hotel on T.M. Kalaw Avenue, among other buildings.
"These are abandoned buildings," Atienza said. "Uninhabited structures tend to become brittle as the years pass, and this is dangerous."
Photos of the Luneta Hotel came from the Heritage Watch Forum. The white building to the right of the hotel is another pre-war structure, the University Club Building.
The Luneta Hotel was declared a national historical landmark by the National Historical Institute and is thus protected by P.D. 1505. According to the decree, "Sec. 5. It shall be unlawfully for any person to modify, alter, repair or destroy the original features of any national shrine, monument, landmark and other important historic edifices declared and classified by the National Historical Institute as such without the prior written permission from the Chairman of said Institute.
"Any person who shall violate this Decree shall, upon conviction, be punished by imprisonment for not less than one year nor more than five years or a fine of not less than one thousand pesos nor more than ten thousand pesos or both, at the discretion of the court or tribunal concerned."
After chopping down centuries-old trees in Manila's last lung, the Arroceros Forest Park; demolishing the art deco Jai Alai Building in order to build a Hall of Justice which up to today has not begun (the lot where the Jai Alai Building used to stand is still a gaping hole in the ground); building a park and ride facility in the Mehan Gardens Historical Landmark, an archaeologically rich area being the site of Manila's Parian, thus destroying evidences of our rich culture; and getting rid of the YMCA Building and San Lazaro Hippodrome to build SM malls, sad to say SM City Manila now towers over the Manila City Hall and the area has become so congested and ugly; he is at it again!
Congratulations for a job well done Mayor Atienza! Kudos to your Patayan ang MayniLA program!
The article says, "However, the mayor called on the DPWH and the owners of abandoned private buildings to demolish the structures because these posed a danger to the public.
"He cited the Veteran's Bank Building in the Port Area, the Royal Hotel on Carlos Palanca Street and the Luneta Hotel on T.M. Kalaw Avenue, among other buildings.
"These are abandoned buildings," Atienza said. "Uninhabited structures tend to become brittle as the years pass, and this is dangerous."
Photos of the Luneta Hotel came from the Heritage Watch Forum. The white building to the right of the hotel is another pre-war structure, the University Club Building.
The Luneta Hotel was declared a national historical landmark by the National Historical Institute and is thus protected by P.D. 1505. According to the decree, "Sec. 5. It shall be unlawfully for any person to modify, alter, repair or destroy the original features of any national shrine, monument, landmark and other important historic edifices declared and classified by the National Historical Institute as such without the prior written permission from the Chairman of said Institute.
"Any person who shall violate this Decree shall, upon conviction, be punished by imprisonment for not less than one year nor more than five years or a fine of not less than one thousand pesos nor more than ten thousand pesos or both, at the discretion of the court or tribunal concerned."
After chopping down centuries-old trees in Manila's last lung, the Arroceros Forest Park; demolishing the art deco Jai Alai Building in order to build a Hall of Justice which up to today has not begun (the lot where the Jai Alai Building used to stand is still a gaping hole in the ground); building a park and ride facility in the Mehan Gardens Historical Landmark, an archaeologically rich area being the site of Manila's Parian, thus destroying evidences of our rich culture; and getting rid of the YMCA Building and San Lazaro Hippodrome to build SM malls, sad to say SM City Manila now towers over the Manila City Hall and the area has become so congested and ugly; he is at it again!
Congratulations for a job well done Mayor Atienza! Kudos to your Patayan ang MayniLA program!
Sunday, May 28, 2006
When was the last time you displayed the Philippine flag?
When was the last time you displayed the Philippine flag outside your home? According to Section 7 of RA 8491 - An Act Prescribing the Code of the National Flag, Anthem, Motto, Coat-of-Arms and other Heraldic Items and Devices of the Philippines:
"SECTION 7. The flag shall also be displayed in private buildings and residences or raised in the open on flag-staffs in front of said buildings every April 9 (Araw ng Kagitingan); May 1 (Labor Day); May 28 (National Flag Day) to June 12 (Independence Day); last Sunday of August (National Heroes Day); November 30 (Bonifacio Day); and December 30 (Rizal Day); and on such other days as may be declared by the President and/or local chief executives."
May 28, 1898 was the day the Philippine flag was first unfurled after the Battle of Alapan, where the Philippine Revolutionary Army lead by Aguinaldo defeated the Spanish Army. This day is recognized today as National Flag Day.
As one Filipino nation, let us display the Philippine flag outside our homes and offices from May 28 (National Flag Day) to June 12 (Independence Day)!
"SECTION 7. The flag shall also be displayed in private buildings and residences or raised in the open on flag-staffs in front of said buildings every April 9 (Araw ng Kagitingan); May 1 (Labor Day); May 28 (National Flag Day) to June 12 (Independence Day); last Sunday of August (National Heroes Day); November 30 (Bonifacio Day); and December 30 (Rizal Day); and on such other days as may be declared by the President and/or local chief executives."
May 28, 1898 was the day the Philippine flag was first unfurled after the Battle of Alapan, where the Philippine Revolutionary Army lead by Aguinaldo defeated the Spanish Army. This day is recognized today as National Flag Day.
As one Filipino nation, let us display the Philippine flag outside our homes and offices from May 28 (National Flag Day) to June 12 (Independence Day)!
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