Thursday, April 15, 2010
Republic Act No. 10066 - National Cultural Heritage Act of 2009
After several years attending Senate and Congressional hearings and technical working groups, the Heritage Bill is now the National Cultural Heritage Act of 2009. I remember attending hearings at the Senate used to be part of my regular schedule!
The new law was signed by President Gloria Macapagal-Arroyo on March 26, 2010. I would like to congratulate everyone who took part in the legislation of this new law. I would like to make special mention of Sen. Edgardo J. Angara, the principal author of this law, for tirelessly working for its approval and enactment.
It's a 31-page document and as soon as we have a soft text copy of the law, we will post it online. But here are some significant and interesting points of Republic Act No. 10066 - An Act Providing for the Protection and Conservation of the National Cultural Heritage, Strengthening the National Commission for Culture and the Arts (NCCA) and its Affiliated Cultural Agencies and for Other Purposes:
Sec. 5. Cultural Property Considered Important Cultural Property. - For purposes of protecting a cultural property against exportation, modification or demolition, the following works shall be considered important cultural property, unless declared otherwise by the pertinent cultural agency:
Unless declared by the Commission,
(a) Works by a Manlilikha ng Bayan;
(b) Works by a National Artist;
Unless declared by the National Museum,
(c) Archaeological and traditional ethnographic materials;
Unless declared by the National Historical Institute,
(d) Works of national heroes;
(e) Marked structure;
(f) Structures dating at least fifty (50) years old; and
Unless declared by the National Archives,
(g) Archival material/document dating at least (50) years old.
The property owner may petition the appropriate cultural agency to remove the presumption of important cultural property which shall not be unreasonably withheld.
* * *
Sec. 7. Privileges for Cultural Property. - All cultural properties declared as national cultural treasures and national historical landmarks, sites or monuments shall be entitled to the following privileges.
(a) Priority government funding for protection, conservation and restoration;
(b) Incentive for private support of conservation and restoration through Commission's Conservation Incentive Program for national cultural treasures;
(c) An official heritage marker placed by the cultural agency concerned indicating that the immovable cultural property has been identified as national cultural treasures and/or national historical landmarks, sites or monuments; and
(d) In times of armed conflict, natural disasters and other exceptional events that endanger the cultural heritage of the country, all national cultural treasures or national historical landmarks, sites or monuments shall be given priority protection by the government.
All cultural properties declared as important cultural property may also receive government funding for its protection, conservation and restoration. An official heritage marker shall likewise be placed on an immovable cultural property to identify the same as important cultural property.
* * *
Sec. 12. Designation of Heritage Zones. - The National Historical Institute and the National Museum, in consultation with the Commission and the Housing and Land Use Regulatory Board or other concerned agencies, shall designate heritage zones to protect the historical and cultural integrity of a geographical area.
Sec. 13. Maintenance of Heritage Zones. - A heritage zone shall be maintained by the local government unit concerned, in accordance with the following guidelines:
(a) Implementation of adaptive reuse of cultural property;
(b) Appearance of streets, parks, monuments, buildings, and natural bodies of water, canals, paths and barangays within a locality shall be maintained as close to their appearance at the time the area was of most importance to Philippine history as determined by the National Historical Institute; and
(c) Local government units shall document and sustain all sociocultural practices such as, but not limited to, traditional celebrations, historical battles, recreation of customs, and the reenactment of battles and other local customs that are unique to the locality.
* * *
Sec. 22. Renaming of Historical Streets, Buildings Designated as Cultural Treasure or Important Cultural Property. - The names of historical streets, parks, buildings, shrines, landmarks, monuments and sites designated as national cultural treasures or important cultural property shall not be allowed to be renamed by local or national legislation, unless approved by the National Historical Institute, and only after due hearing on the matter. Furthermore, for changes of names done to historical streets, parks, buildings, shrines, landmarks, monuments, and sites prior to the effectivity of this Act, the National Historical Institute may direct the local government units to restore their original names, also after due hearing.
* * *
Sec. 35. Tax Exemptions on Donations. - All donations in any form to the Commission and its affiliated cultural agencies shall be exmpt from donor's tax and the same shall be considered as allowable deduction from the gross income in the computation of the income tax of the donor, in accordance with the provisions of the National Internal Revenue Code of 1997, as amended.
* * *
Sec. 38. Incorporation of National Cultural Treasures and Important Cultural Property in the Basic Education System. - Within one (1) year from the effectivity of this Act, the Department of Education, in coordination with the Commission's Philippine Cultural Education Program, shall formulate the cultural heritage education programs both for local and overseas Filipinos to be incorporated into the formal, alternative and informal education, with emphasis on the protection, conservation and preservation of cultural heritage property.
The Philippine Registry of Cultural Heritage Property shall likewise be incorporated into the formal, alternative and informal education by the provincial and local governments.
* * *
Sec. 42. Creation of Sentro Rizal. - There is hereby created and established a Sentro Rizal whose main purpose is the promotion of Philippine arts, culture and language throughout the world.
Sec. 43. Overseas Branches or Offices of Sentro Rizal. - Sentro Rizal shall have branches or offices in countries where there are children of overseas Filipino workers who need to be educated about their roots, as well as developed countries where there are large Filipino communities.
Sec. 45. Services Offered. - The Sentro Rizal shall offer Filipino language courses for children and adults, as well as exhibits, small concerts, poetry reading, Philippine cuisine lessons in all Sentro Rizal branches.
* * *
Here is the full text of R.A. 10066 - National Cultural Heritage Act of 2009.
Sunday, April 11, 2010
Batanes: Old stone houses of Itbud and Centro in Uyugan, Batanes
Uyugan is said to be the town with the most number of intact stone houses in Batan Island, particularly in Itbud and Centro (Kayvaluganan and Kayuganan). Most tours just drive through Uyugan and Itbud. It's actually the first time I got to walk around the town proper and Itbud.
The quaint Uyugan Church is relatively intact, but it's quite small compared to the churches of the neighboring towns.
They were changing the cogon on the roof of one of the stone houses while we were there. There are two roof types in Batanes stone houses. The maytuab type of cogon roof has four sides. While the sinadumparan style has only two sides.
We moved on to Itbud which is another barangay of Uyugan. On the way to Itbud, we passed by the ruins of Songsong, a barangay that was devastated by a tsunami in the 1953. Although most of the village is in ruins, many of the residents are starting to come back. The house where they shot the movie Batanes is actually in Songsong.
Itbud is the most intact barangay in Batan Island. Except for the church which the priest demolished just a few years back to build a bigger church (they replaced it with a horrible hollow-block structure), the barangay still has a lot of old stone houses. Unfortunately, the houses will not be picture perfect until the May elections are over since there are campaign posters everywhere.
But we did enjoy strolling around the village. At least some of the houses didn't have posters or tarpaulins. Our last stop was Imnajbu, the last barangay of Uyugan. Beside the barangay chapel is a wooden cross which marks the site of the first Catholic Mass in Batanes. There are also some noteworthy stone houses. Which is why no doubt, Uyugan is the last bastion of Batanes architecture on Batan Island.
Saturday, April 10, 2010
Batanes: Around Mahatao, Ivana and Uyugan, Batanes
We did our usual afternoon trip around the southern part of Batan Island yesterday. That includes the towns of Mahatao, Ivana and Uyugan. One of my favorite heritage stops along the way is the Mahatao Church (dedicated to San Carlos Borromeo), which is a National Cultural Treasure.
I was pleasantly surprised to see an old lady wearing a vacul close to the church. For the longest time, seeing someone actually wear a vacul has eluded me in all my visits to Batanes until now. She was very gracious to the group for allowing everyone to take her photo and have their photo taken with her.
Our next stop was Ivana. Another popular stop is the House of Dakay (built in the maytuab style). Said to be the oldest stone house that is still in use in Batanes, it dates back to 1860. Its lone occupant, Florestida Estrella, is now 83.
Other stops in Ivana include Honesty Cafe and the Ivana Church. We were told that Ivana, Batanes is the smallest municipality in the entire country, both in population (1,181 in 2007) and land area (16.54 square kilometers). So unless anyone disputes that, I'll accept it as fact.
We then drove by Uyugan before proceeding back to Mahatao via the Racuh a Payaman (also known as Marloboro Country) where the group enjoyed the sunset. Racuh a Payaman means wide pasture. According to the Batanes Provincial Government, this communal pasture collectively managed by the townsfolk depicts a people that values community ownership over private property. It adds that the beauty of Racuh is as awe-inspiring as the concept that it represents: that collective management is best where land space is limited.
The skies were overcast when we arrived in the morning. But the sun thankfully came out later in the afternoon. But despite the sun, the weather was pleasantly cool. Indeed, it was a welcome relief from Manila's scorching hot weather!
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Friday, April 09, 2010
Batanes: SEAIR flight to Basco, Batanes
I'm back in Batanes! We took the second SEAIR flight this morning. They have daily flights plus twice daily flights for certain days of the week. Skies here are overcast, not as sunny as I expected. But the result is very pleasant weather, a welcome relief from the heat of Manila!
We'll be going around Batan Island this afternoon. Anyway, for inquiries and reservations on SEAIR flights, call (02) 8490100 or book online at www.FlySeair.com. Join SEAIR Facebook Fan Page for updates on promos.
But if you still want to join our next Ultimate Batanes tour (the next April tour is already fully-booked), we have one last run from May 28 to 31, 2010. Just send an e-mail to reservations@ultimatephilippines.com. Slots are running out so book now!
Thursday, April 08, 2010
Quezon: Book now for the Ultimate Pahiyas and Quezon Culinary & Heritage tour!
Have you been to Quezon and its San Isidro Labrador festivals every May 15? It's fiesta time this month of May and what better way to drink, eat and be merry as we head south to explore charming Quezon province. It's the best time of the year as we join in the revelry and celebrate the feast of San Isidro de Labrador!
First off to Sariaya, a charming little town known for its gracious colonial-period homes. We'll have breakfast, take a stroll and admire these treasures as we revel in its traditional Agawan Festival.
Then, it's off to Lucban and the Pahiyas Festival where we'll feast our eyes over a smorgasbord of food, music, artistry and local color in one of country's most spectacular fiestas!
Finally, on to San Pablo, Laguna to dine at a restored period home, a great way to cap-off our Quezon experience!
You will discover the best way to experience the San Isidro Labrador festivals: Pahiyas in Lucban and Agawan in Sariaya, the charming heritage town of Sariaya as well as a lovely dinner at the artsy Sulyap Gallery Cafe and anything and everything about Quezon's Tagalog heritage with the best guide in town, Tina Decal!
Tour Fee is Php4,800 per person inclusive of breakfast, lunch and dinner, all entrance fees and demonstrations, tourist bus transportation, the best personal guide in Quezon (Tina Decal), plus surprises along the way.
For bookings, e-mail reservations@ultimatephilippines.com or contact my tokayo, Ivan ManDy (0917) 3291622.
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