Monday, April 26, 2010
Makati: Hotel Celeste, Makati's newest boutique hotel
Hotel Celeste is the newest haute couture hotel in Makati. I was lucky enough to stay a night in this really classy and avante-garde botique hotel. While the rooms may seem pricey, when you get to see them, you'll know why it's a hit among many foreign business travelers. In fact, I had a hard time getting a booking since almost all the rooms were fully-booked.
There are five elegant suite rooms named after French queens namely Marie Antoinette, Eleanor, Catherine, Blanche and Isabella. Each room has its own character, all generous in size with wonderfully hand-painted interiors. The 25 deluxe rooms also have surprises of their own.
Each room has a 32-inch LCD TV with cable and an iPod dock among others, while bathrooms are sticked with L'Occitane bath amenities. And the hotel is conveniently tucked beside Greenbelt and Makati's financial district, at the entrance of San Lorenzo Village.
Hotel Celeste
02 San Lorenzo Drive cor. A. Arnaiz Ave. (Pasay Road)
San Lorenzo Village, Makati City
(02) 8878080 / 8878088 (fax)
Sunday, April 25, 2010
Bataan: Anvaya Cove in Morong, Bataan
Last month, I got the chance to visit Anvaya Cove in Morong, Bataan. While the group left early in the morning, I had to finish some meetings in the office. So I said I would follow.
I missed the tour of the Anvaya Beach and Nature Club and the Nature Camp. But I arrived just in time for the spa treatments at Veda Spa! The spa facilities are one of the best I've seen in the country. Plus the massage treatment was really refreshing. Too bad we only stayed for a night.
Dinner, plus breakfast and lunch the next day was at Bamboo Cafe. I particularly enjoyed the Asian inspired buffet lunch which featured dishes from Japan, Korea and other Asian countries.
While Anvaya Cove is mostly a residential area, there are rooms, lagoon terraces and suites which you could book at. But you'll need to know a member to be able to make a reservation.
We got to explore the development the next day, particularly the residential areas which I found really classy. Before leaving, we were given the chance to walk around the beach and the pool area. I wasn't able to stay for long since I had to catch a graduation in Tarlac where I was commencement speaker.
Anvaya Cove
(02) 8415769 / 8485000
ask@ayalalandpremier.com
Saturday, April 17, 2010
International Day for Monuments and Sites 2010 celebrates the heritage of agriculture
In 1983, UNESCO endorsed April 18 as the International Day for Monuments and Sites, on the proposal of the International Council on Monuments and Sites (ICOMOS). According to ICOMOS, "This special day offers an opportunity to raise public awareness concerning the diversity of the world’s heritage and the efforts that are required to protect and conserve it, as well as to draw attention to its vulnerability."
Every year, ICOMOS assigns a theme to the celebration. And this year's theme is: The Heritage of Agriculture.
The Philippines is no stranger to agricultural heritage. In fact, ICOMOS notes that the very first agricultural landscape inscribed in the UNESCO World Heritage List were the spectacular Rice Terraces of the Philippine Cordilleras in 1995. The inscription of the rice terraces, according to Henry Cleere, “established an important precedent by identifying the significance of landscapes that evolved in the production of significant staple and economic crops.”
With many agrarian communities around the country, almost every province in the Philippines has agricultural heritage. The cultural landscape of Batanes includes hedgerows which form quilt-like patterns across the farming hillsides of Batan Island. According to the Batanes Provincial Government, "They divide farm lots, protect crops from the wind, control erosion, host migrant birds and other species, and provide wood and reeds for domestic use."
Another example of agricultural heritage in Batanes is the Racuh a Payaman, which literally means wide pasture. This communal pasture collectively managed by the townsfolk, says the Batanes Provincial Government, depicts a people that values community ownership over private property. It adds that the beauty of Racuh is as awe-inspiring as the concept that it represents: that collective management is best where land space is limited.
Ilocos Norte has its tobacco heritage. The 19th century Tabacalera warehouse in Laoag has been adaptively-reused as the Museo Ilocos Norte.
Pampanga, Tarlac and Negros Occidental share the same sugar heritage. In San Fernando, Pampanga, the 1921 sugar central of the Pampanga Sugar Development Company (PASUDECO) still produces sugar. This structure is an inherent part of the industrial heritage of Pampanga.
In Victorias, Negros Occidental, many visit the Victorias Milling Company (VIMICO) to see its Chapel of the Angry Christ. Most if not all the grand mansions of Negros were built by sugar.
Many bahay na bato in rice producing areas had a camalig or rice granary beside it. In Angeles City, the camalig of the Nepomuceno House was adaptively-reused as a restaurant, the popular Historic Camalig Restaurant of Armando's Pizza.
In Laguna, the University of the Philippines established its College of Agriculture in 1909 on a 73-hectare abandoned farmland at the foot of the Mt. Makiling. By 1917, the campus had grown to 127 hectares with seven buildings, 500 students and an alumni association with 100 graduates. Many of those original structures still stand in UP Los Banos.
Straddling the boundary of Laguna and Quezon is Villa Escudero, a coconut plantation representative of the agricultural heritage of Southern Tagalog. A pioneering agro-industrialist, Don Arsenio Escudero constructed the country's first hydroelectric plant to supply his desiccated coconut factory and coconut plantation with electricity. (Photo by Augusto Villalon)
It is said that the grand mansions in the heritage towns of Sariaya, Quezon and San Juan, Batangas were built from the proceeds of the coconut trade.
ICOMOS also notes the intangible dimension of agricultural heritage, which Celia Martinez Yanez divides into rituals and festive events, on one hand, and skills, knowledge and traditional craftsmanship concerning nature and the universe, on the other.
The UNESCO Representative List of the Intangible Cultural Heritage of Humanity contains properties related to agricultural heritage such as the Hudhud Chants of the Ifugao (inscribed in 2008, originally proclaimed in 2001) which consists of narrative chants performed "during the rice sowing season, at harvest time and at funeral wakes and rituals."
There are many harvest-related festivals all over the country. On the feast day of San Isidro Labrador, the patron saint of farmers, are held the Pahiyas (Lucban), Agawan (Sariaya) and Mayohan (Tayabas) all in Quezon; and the Pulilan Carabao Festival in Bulacan. Every May 3, the UNESCO World Heritage City of Vigan, Ilocos Sur celebrates the Tres de Mayo Festival.
A physical reminder of knowledge of nature and the universe are the Stone Agricultural Calendars of Dap-ay Guiday in Besao (Bontoc, Mountain Province), which are National Cultural Treasures.
What is the agricultural heritage of your province? Share them by commenting below.
Ivan Anthony Henares is a member of the ICOMOS Philippines National Committee and expert member of the International Cultural Tourism Committee (ICTC).
Thursday, April 15, 2010
Republic Act No. 10066 - National Cultural Heritage Act of 2009
After several years attending Senate and Congressional hearings and technical working groups, the Heritage Bill is now the National Cultural Heritage Act of 2009. I remember attending hearings at the Senate used to be part of my regular schedule!
The new law was signed by President Gloria Macapagal-Arroyo on March 26, 2010. I would like to congratulate everyone who took part in the legislation of this new law. I would like to make special mention of Sen. Edgardo J. Angara, the principal author of this law, for tirelessly working for its approval and enactment.
It's a 31-page document and as soon as we have a soft text copy of the law, we will post it online. But here are some significant and interesting points of Republic Act No. 10066 - An Act Providing for the Protection and Conservation of the National Cultural Heritage, Strengthening the National Commission for Culture and the Arts (NCCA) and its Affiliated Cultural Agencies and for Other Purposes:
Sec. 5. Cultural Property Considered Important Cultural Property. - For purposes of protecting a cultural property against exportation, modification or demolition, the following works shall be considered important cultural property, unless declared otherwise by the pertinent cultural agency:
Unless declared by the Commission,
(a) Works by a Manlilikha ng Bayan;
(b) Works by a National Artist;
Unless declared by the National Museum,
(c) Archaeological and traditional ethnographic materials;
Unless declared by the National Historical Institute,
(d) Works of national heroes;
(e) Marked structure;
(f) Structures dating at least fifty (50) years old; and
Unless declared by the National Archives,
(g) Archival material/document dating at least (50) years old.
The property owner may petition the appropriate cultural agency to remove the presumption of important cultural property which shall not be unreasonably withheld.
* * *
Sec. 7. Privileges for Cultural Property. - All cultural properties declared as national cultural treasures and national historical landmarks, sites or monuments shall be entitled to the following privileges.
(a) Priority government funding for protection, conservation and restoration;
(b) Incentive for private support of conservation and restoration through Commission's Conservation Incentive Program for national cultural treasures;
(c) An official heritage marker placed by the cultural agency concerned indicating that the immovable cultural property has been identified as national cultural treasures and/or national historical landmarks, sites or monuments; and
(d) In times of armed conflict, natural disasters and other exceptional events that endanger the cultural heritage of the country, all national cultural treasures or national historical landmarks, sites or monuments shall be given priority protection by the government.
All cultural properties declared as important cultural property may also receive government funding for its protection, conservation and restoration. An official heritage marker shall likewise be placed on an immovable cultural property to identify the same as important cultural property.
* * *
Sec. 12. Designation of Heritage Zones. - The National Historical Institute and the National Museum, in consultation with the Commission and the Housing and Land Use Regulatory Board or other concerned agencies, shall designate heritage zones to protect the historical and cultural integrity of a geographical area.
Sec. 13. Maintenance of Heritage Zones. - A heritage zone shall be maintained by the local government unit concerned, in accordance with the following guidelines:
(a) Implementation of adaptive reuse of cultural property;
(b) Appearance of streets, parks, monuments, buildings, and natural bodies of water, canals, paths and barangays within a locality shall be maintained as close to their appearance at the time the area was of most importance to Philippine history as determined by the National Historical Institute; and
(c) Local government units shall document and sustain all sociocultural practices such as, but not limited to, traditional celebrations, historical battles, recreation of customs, and the reenactment of battles and other local customs that are unique to the locality.
* * *
Sec. 22. Renaming of Historical Streets, Buildings Designated as Cultural Treasure or Important Cultural Property. - The names of historical streets, parks, buildings, shrines, landmarks, monuments and sites designated as national cultural treasures or important cultural property shall not be allowed to be renamed by local or national legislation, unless approved by the National Historical Institute, and only after due hearing on the matter. Furthermore, for changes of names done to historical streets, parks, buildings, shrines, landmarks, monuments, and sites prior to the effectivity of this Act, the National Historical Institute may direct the local government units to restore their original names, also after due hearing.
* * *
Sec. 35. Tax Exemptions on Donations. - All donations in any form to the Commission and its affiliated cultural agencies shall be exmpt from donor's tax and the same shall be considered as allowable deduction from the gross income in the computation of the income tax of the donor, in accordance with the provisions of the National Internal Revenue Code of 1997, as amended.
* * *
Sec. 38. Incorporation of National Cultural Treasures and Important Cultural Property in the Basic Education System. - Within one (1) year from the effectivity of this Act, the Department of Education, in coordination with the Commission's Philippine Cultural Education Program, shall formulate the cultural heritage education programs both for local and overseas Filipinos to be incorporated into the formal, alternative and informal education, with emphasis on the protection, conservation and preservation of cultural heritage property.
The Philippine Registry of Cultural Heritage Property shall likewise be incorporated into the formal, alternative and informal education by the provincial and local governments.
* * *
Sec. 42. Creation of Sentro Rizal. - There is hereby created and established a Sentro Rizal whose main purpose is the promotion of Philippine arts, culture and language throughout the world.
Sec. 43. Overseas Branches or Offices of Sentro Rizal. - Sentro Rizal shall have branches or offices in countries where there are children of overseas Filipino workers who need to be educated about their roots, as well as developed countries where there are large Filipino communities.
Sec. 45. Services Offered. - The Sentro Rizal shall offer Filipino language courses for children and adults, as well as exhibits, small concerts, poetry reading, Philippine cuisine lessons in all Sentro Rizal branches.
* * *
Here is the full text of R.A. 10066 - National Cultural Heritage Act of 2009.
Sunday, April 11, 2010
Batanes: Old stone houses of Itbud and Centro in Uyugan, Batanes
Uyugan is said to be the town with the most number of intact stone houses in Batan Island, particularly in Itbud and Centro (Kayvaluganan and Kayuganan). Most tours just drive through Uyugan and Itbud. It's actually the first time I got to walk around the town proper and Itbud.
The quaint Uyugan Church is relatively intact, but it's quite small compared to the churches of the neighboring towns.
They were changing the cogon on the roof of one of the stone houses while we were there. There are two roof types in Batanes stone houses. The maytuab type of cogon roof has four sides. While the sinadumparan style has only two sides.
We moved on to Itbud which is another barangay of Uyugan. On the way to Itbud, we passed by the ruins of Songsong, a barangay that was devastated by a tsunami in the 1953. Although most of the village is in ruins, many of the residents are starting to come back. The house where they shot the movie Batanes is actually in Songsong.
Itbud is the most intact barangay in Batan Island. Except for the church which the priest demolished just a few years back to build a bigger church (they replaced it with a horrible hollow-block structure), the barangay still has a lot of old stone houses. Unfortunately, the houses will not be picture perfect until the May elections are over since there are campaign posters everywhere.
But we did enjoy strolling around the village. At least some of the houses didn't have posters or tarpaulins. Our last stop was Imnajbu, the last barangay of Uyugan. Beside the barangay chapel is a wooden cross which marks the site of the first Catholic Mass in Batanes. There are also some noteworthy stone houses. Which is why no doubt, Uyugan is the last bastion of Batanes architecture on Batan Island.
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